by Mitchell Kalpakgian | The whole episode made no sense to him, and he was at a loss for some possible explanation for his great frustration. The only comfort his mind offers is the knowledge that the accident was not a great tragedy. He acknowledges with gratitude the escape from other “torments and evils to which even this wasted wine would have seemed a wretched jest.”

So often in human life we wonder if someone is going to call, coming to visit, or going to write us a letter. We assume that we are to expect, ...

How easy it is to neglect these amenities of manners that consist of attention to seemingly minor things of no consequence: a thank you note, a compliment, a visit. How convenient it is to use the excuse of busyness with important affairs to avoid attention to small details.

In C. S. Lewis’s The Screwtape Letters, Uncle Screwtape, the master devil, counsels his junior apprentice, Wormwood, to use tried and true techniques to seduce souls into sin. One tactic he highly recommends is the strategy that perverts man’s natural love of change:

Contemplation is a form of looking inspired by wonder that moves a person to continue looking at a great work of art or to remain thinking about a great idea, divine miracle, or mystery.There is so much to see or know that one lingers to see more and to think more deeply.

This great design of awaiting the next pleasure forms the master plan of life designed by a wise Creator who orients man toward the future with hope. No one ever truly wants to return to the past or dreams of recovering the fountain of youth.

Words, like music, can create harmony or discord. Words, like certain fine instruments, can refine and beautify or, like blunt tools, can break and smash. The art of living requires sensitivity to the choice of words, to the tone of voice, and to the manner of speech.

Of course civility dictates that a person strive to make a good appearance that befits the occasion in an honest expression of who he or she is, and the person in the role of judge must take into consideration the fact that a first impression may be insufficient grounds for a correct interpretation.

It is possible to take many things too seriously. Coaches and athletes can take winning too seriously (It’s only a game). The avaricious and the miserly who worship gold take money too seriously (It’s only metal or paper). Politicians can take elections and political power too seriously (They are not the salvation of the world). Scholars can take learning too seriously and presume that man is god and that human knowledge supersedes divine wisdom (“Even though a wise man claims to know, he cannot find it out,” Solomon states in Ecclesiastes).

Members of a family know each other too well to be fooled by brother’s daydream to be a millionaire, sister’s fantasy to be a great actress, or grandson’s ambition to be a professional athlete. The family teaches humility, self-knowledge, the art of the possible, and the way things are.

In Robert Frost’s famous poem “The Road Not Taken,” a traveler recalls a moment in his life when he reached a crossroads. He comes to a turning point on the journey and pauses to consider which path to follow. Both roads have fair prospects and great allure.

In Kenneth Graham’s The Wind in the Willows Mr. Toad, the owner of Toad Mansion and the great traveler on the Open Road who is always on a new vehicle going to faraway places, cannot comprehend how Mr. Rat can find contentment in a simple cottage on the river where he dwells all year and never explores the wider world of new sights and foreign lands: “You surely don’t mean to stick to your dull fusty river all your life, and just live in a hole in a bank, and boat. I want to show you the world.”

While it is a most human to desire the ideal, seek the best, and have the highest goals, all human lives suffer damages and require rebuilding. The unfaithful husband or wife, the deaths and illnesses in a family, the rebellion of the prodigal son or daughter, the loss of income or work all inflict destruction of some kind that forces another beginning, a fresh approach, a new idea, or the exercise of a heroic virtue.

As the freshness of childhood and the exuberance of youth fade, and life assumes a regularity and familiarity, it is all too easy to become jaded and blasé. Instead of ...

While everyone has heard of King Midas’s avarice and his desire for The Golden Touch that transforms everything he touches into gold, not everyone has heard of The Leaden Touch. In Hawthorne’s A Wonder Book one of the children who hears of the famous story about King Midas, remarks, “But some people have what we may call ‘The Leaden Touch,’ and make everything dull and heavy that they lay their fingers upon.”

Every human being experiences the conflict between duty and pleasure, what a person wishes to do for enjoyment and what a person ought to do by way of obligation. These two tendencies often appear as contrary, irreconcilable powers that inevitably clash and produce resentment or frustration.

Two great ancient philosophers, Marcus Aurelius in Meditations and Boethius in The Consolation of Philosophy — two works renowned for their great wisdom and moral power — teach the importance of the virtue of self-possession. Both writers observe that no persons can control the outside events that surround them.

Disappointment, rejection, and defeat, however, do not mean incompetence, weakness, or failure. When a person shakes off the dust, he leaves because of the stiff-necked and hardhearted unwillingness of the many that lack docility and openness to the truth the messenger brings.

In the folk tale, five brothers all choose their profession and perform their work with success and prosperity: a brick maker, a mason, an architect, an innovator, and a critic. However, only the oldest brother unites vocation and avocation, and only his work has effects for the future and for heaven.

In the story the merchant’s son who wasted his money finds himself in desperate circumstances until a friend gives him a magical flying trunk. When he flies with it and descends from the sky, he introduces himself as a Turkish god who has come from above to marry the king’s daughter. Honored with this privilege, the king gladly agrees to the marriage: “Yes, you shall certainly marry our daughter.”